Monday, May 13, 2013

Projects Completed and in Progress

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Well so much for New Year's Resolutions. How many times has it been said, so I don't feel so bad. I have been hoping to carve out time to blog more, although I have been keeping busy in 2012:

I've been attending a small writing club at least twice a month (been attending 2-3 times per month for four months now) with a small group of work-mates. It's been motivating and inspiring. I have not made a huge amount of progress on my writing progress, but I have been much more consistent, aka writing a little every week.

I completed an article for the Winter 2013 San Francisco Silent Film Festival. And I'm hard at work on a new essay for the Summer 2013 SFSFF! The program list will be announced on 5/23!

Helped Michelle for three of her four pop-ups, aka 20th Century Cafe preview

Teresa, Michelle, and me at the pop-up at State Bird Provisions














I read a bunch of books including the incredible memoir by Michael Tradowsky (found out about the book from his daughter Kirsten who I wrote about in this blog last year). His book is War Children is about growing up in a artistic, non-political family in Nazi Germany. I wrote a brief review on Goodreads.

I completed a video for Michelle's Kickstarter campaign. She reached her goal 12 days early! I received some nice compliments including one in the SF Weekly blog SF Foodie that said, "The Kickstarter page has more details about the café, but the real draw there is the sepia-toned, 1930's/40's video showing Polzine's trials and tribulations getting the place open. It's a fun watch that encapsulates the vintage feel she's trying to create in her café." Kickstarter page with video -- she's got 7 days to go...pledges over her goal will help buy an ice cream machine (you cannot believe the ice cream she makes!).

And I'm working on another video for her Kickstarter, for the last few days of the campaign - seriously, amazing ice-cream!

That's it for now.  A bit of catch up on my creative/project online diary...done and done!

Wednesday, January 2, 2013

Writing About Snow White

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Who is Snow White? And what does she represent?

Reading up on her I read about innocence and the drama between the two female characters: one youthful and innocent and the other mature and strategic. There was things written about the fight for the love of the husband/father and other Freudian analysis. These ideas made me start thinking about The cultural and emotional significance and what thought jumps out me is it Snow White representing two stages of female life, perhaps from the perspective of the younger of the two. The older "witch" is what the innocent youth is afraid to become, she is afraid of all the things that signified her birth: the cold and immaculate white snow, the blood of a mature woman, and the black of death.

That's it for now...more thoughts on this tomorrow...I only have a week or so...

Project Update! Completed and published essay for the San Francisco Silent Film Winter 2012 Festival Program: Snow White (1916).

Monday, November 5, 2012

Boardwalk Empire and Richard Harrow


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I am blown away by the complexity of effects available now to storytellers. Effects can be a boring mess, or in the hands of talented writers can make anything in the creative mind a "reality."


I am addicted currently to Boardwalk Empire. The writing is top notch and the characters are incredibly compelling. My favorite character is a minor one, Richard Harrow played by Jack Huston.


He is a WWI vet with a disfiguring injury to one side of his face. This character led me to recall the research I did to write the San Francisco Silent Film Festival program essay for the Lon Chaney film The Penalty.

"Blizzard is driven by the loss of his legs. Chaney displays all the emotional and physical awkwardness that challenge and enrage Blizzard. Playing the part of the outcast, as he frequently did, afforded Chaney a unique challenge. His skills produced horrifying characters that repelled audiences. Chaney would then use those same skills to win over audiences and change their repulsion into sympathy, and a more profound understanding of his characters...In recent years, some critics and historians have condemned Chaney’s portrayals as perpetuating negative stereotypes of the disabled. In fact, Chaney’s great gift was his ability to reveal the humanity within even the most disturbed and damaged character."

During researching that essay I came across an amazing paper written by Karen Randell in the film journal Screen, issue 44:2 Summer 2003. Her essay was about the huge numbers of injured vets returning from WWI and the impact on society reflected in film, specifically in the films of actor Lon Chaney. Medical technology had advanced and was able to save many lives, but there was a impact on the vets and society in that many of those surviving had the kinds of injuries never before seen on a living, breathing person.

She writes, "Although the war does not figure explicitly in Chaney's films, I shall argue that the neurotic repetition of deformity provides a contextual reference to the war maimed...war trauma is what remains after the terrors of war have been lived through and rationalized."

At its most superficial, physical disfigurement is used to visually show the evil and corruption of a character. At its most profound, it is used to show the artifacts of a traumatic experience and its lingering damage to a character.

Saturday, November 3, 2012

Walk Through My Neighborhood


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I took a walk today to the library in West Portal. I stopped for coffee and to write a letter. Passing the Catholic school near my house, and on my way home, as the sun was setting, I was inspired to document a few visuals. Looking for interesting images gives me a chance to stop and savour. And I had a number of those wonderful I-love-San-Francisco-and-my-neighborhood moments.










Friday, November 2, 2012

Staycation


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Just taking a minute to think about my staycation goals...

Sitting in Cafes












 Writing












Reading














Sewing


















Practicing


















Watching Movies














Eating













Drinking and Socializing












Quality Time with My Man















Yep, I think that captures all the key goals. Done!

Thursday, November 1, 2012

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Amazing evening with my writers' club. It was originally co-workers and we set aside an hour a week during work hours to talk writing and write. Now it's expanded as one of the group has moved on to another job. It was a great and productive night, kicking off NaNoWriMo for two in the group.

I recently finished a short story for the Horror Fest: Bloody Parchment competition, for Halloween of course! Working on this story brought me a step closer to the process of just writing without worrying about every word, just getting it down, and then after writing, edit. The idea is to get some of the benefits of NaNoWriMo without the stress of trying to write a novel in a month (50,000 words, gulp!). I tried, but just can't commit to writing that much every single day, but I have enormous respect for those disciplined souls that can do it.

I did however write a solid 600+ words tonight for my...whatever it ends up being. I've been kicking around this ghostie idea for years. I've set myself a goal to complete at least 20,000 words (novella length) by at my birthday in late Feb.  I have played around with ideas for this story in short pieces, one I published as a Flash Friday entry. My obsession with ghosts mostly stems from the fact that the rational part of my brain does not believe in ghosts, but the ancient, fight-or-flight part of my brain is terrified by the idea and the image, so I must believe in them on some level. There is not one shred of hard evidence; scientists have found evidence of something as strange and small as quarks, but no real evidence of ghosts. It is the long standing battle within my brain and I find it fascinating.

As Dave Emory, who filled my head with lectures on political scandals and conspiracy theories as a teenager, said, "Food for thought and grounds for further research."


Thursday, October 18, 2012

What I'd Do If Independently Wealthy


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It was a wonderfully relaxed and leisurely walk from Market Street to work (at the base of Telegraph Hill) due to this marvelously warm weather - summer, finally! It will last until the Halloween when everyone will be excited about running about at night in small costumes, but then winter will set in and everyone will instead be wearing coats over their outfits. It seems to happen every year!

I was pondering things as I walked and I decided on what I'd do in the case of a financial windfall.  I'd go back to school to get a Master's Degree in science (probably biology) and art history and I'd spend all my free time writing and researching articles for obscure, small art/science/technology magazines. I'd also delve into theater, producing and directing, and sewing most of my wardrobe. So just in case a million dollars drops in my lap, I've got a plan and plenty of fodder for daydreaming.

Inspiring image for the day...

Friday, June 1, 2012

Through a Glass, part 1 [Friday Flash Fiction]


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Daphne sat looking down at the box in her lap. She'd found the box two days ago, when organizing her uncle's studio after his death the week before last. It had been tucked away in a locked cabinet built beneath the room's main workbench. The cabinet door had no handle and the edges blended into the wood joins of the workbench.

After cleaning up and organizing most of his things, she decided to inspect the room carefully. She was aware of his love of secrecy and building skills. It was just like him to build a hidden cabinet, two actually. Only one, to her disappointment, contained a treasure. She waited until her co-workers had left the studio, before she retrieved it from its hiding place to bring it home. She considered the compelling possibility that it might illuminate something about him she didn't know already. It must be something special by all accounts, otherwise why stow it away?

Her thoughts turned to her aunt, the widow, and a pang of guilt bloomed in her stomach. Aunt Rose would also be interested in this discovery and its mystery. Of course she'd share what she found. But, while her aunt had been closer to her uncle as a person, as a husband, Daphne was closer to his work, to him as an engineer and inventor.

The box was surprisingly light. It was constructed out of maple wood, with its striking pattern; the varnish brought out the rich browns and auburn colors. She ran her hand over its surface; it was smooth as glass with just a touch of drag from the varnish. From the condition of the box, she estimated that the box was not more than a few years old or if older, it had been taken very good care of. She wanted to draw out this moment of discovery, although she'd already stalled by cooking herself dinner, then making some tea, and finally, having a glass of her favorite brandy, to steel herself for whatever the outcome.

She contemplated the probability that the box may contain nothing of note or perhaps nothing at all. The box could have been made for an item never completed. She opened her palm to look at the key she'd been holding. It was a small yet solidly made bass key, topped by a flat circular spiral design. The working end of the key was of an unusual pattern, but one she'd seen her uncle design before. He had been obsessed with locks for a time and always passionate about the details. He had been a restless man, who always needed a challenge.

She listened to her breath move in and out while she moved her hands over the top of the box. She opened her hand again to contemplate the key. After a brief moment, she inserted the key into the small lock and gave it a twist. She felt the tell tail click, it sounded like a drum roll.

She lifted the top. As the top lifted, it revealed a red velvet interior. There was a slight circular depression molded into the box's lining and it was empty. Her brows came together in a knot and she felt the swell of tears threatening to trickle forth. A swell of grief and loneliness swept over her. As her eye just started to be blurred by the first of her tears, she noticed an almost invisible line around the top of the depression. She picked up the box to look at its side. It certainly was deeper than necessary for the slight depression in the lining. She reached into the box and put the fingers of one hand on the either side inside the depression and tried to move the lining. It shifted slightly. With a slight tug, she lifted a separate piece out of the box to reveal a larger space beneath.

The lining in the larger space molded around a monocle. A monocle. This elaborate box for one piece of glass? She stared at the box and the monocle and worked through a mix of disappointment and curiosity. A monocle, she said to herself a second time. She pursed her lips, squinted her eyes, and glanced at the ceiling. A monocle. Why a monocle? Her mouth and forehead relaxed and she moved her gaze back to the open box.

She placed the box aside and moved to a side board. She picked up a small, fragile glass and slowly poured herself a second, small brandy. She stood while sipping from the glass. With a hand on her hip she stared at the open box sitting on the couch. She tapped a finger on the glass. What does it mean? More precisely, what would it be used for? He wouldn't have created such lovely packaging for a plain old eyeglass. She stopped her tapping and finished the drink. She walked to the couch and lifted the glass out of its receptacle.

She held it up to her eye. Looking through the glass, she saw that the image of the room about her was slightly distorted, but only slightly. She moved the monocle to the side and then back in front of her eye a few times. The glass didn't seem to have any correction ground into it, or if it did it was minimal. She held it before her face and inspected it carefully. The rim was of thin brass with a small ring on one side, through which was looped a thin leather lanyard. What could its purpose possibly be?


© 2012 and continuing. No written content may be reproduced or used in any form without permission from A. Pavy [wooo, sounds so serious!].

Thursday, May 24, 2012

The Shopkeeper [Friday Flash Fiction]

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[new writing motivation! http://fridayflash.org]

          The storefront caught her eye, what with the beautifully done piece of chipmunk taxidermy nestled between handmade bags, clothing, and nature-related tchotchke. The storefront was pleasing too with its lack of aluminum, it was freshly painting wood—a light green that wasn't too pastel. She contemplated her aversion to pastel paint as it reminded her of ice cream shoppies with fragile, unstable chairs and the cloying smell of sugar.

          She stepped out of the bright sunshine into the cool of the store. The first item that caught her eye was a small handbag sporting a cat appliqué in black felt with green crystal eyes. Within a split second, she envisioned how the bag might look with her black wool skirt and red sweater. Quickly replacing that image, she imagined what her friend would say about the bag. Would she like it, think it was the cutest thing, or think it was tacky? She quickly decided it was playful, yet the quality and craftsmanship allowed it to sidestep tacky. It was super cute. She reached out to touch it.

          "Isn't it fabulous?"

          She stayed her hand and looked to her side to see the eager face of the shopkeeper. Few things made her more nervous than an eager shopkeeper. Her mind flashed on desperate times and an image of the woman hunched over a ledger book crying and shaking her fists at the sky. She squeezed her eyes shut for just a beat longer than it would take to blink and during that brief rest she focused on her eyelids.

          Her eyelids popped back open as they do thousands of times a day, but this time they opened reluctantly. She wished her time in relative darkness could have been longer. She knew she'd have to say something, well, more precisely, she'd be compelled to say something, to placate the woman or perhaps just placate her fear of desperation and a failing businesses.

          No, it wasn't her fault if the store didn't make enough money, but wouldn't it be nice to buy something to support the local economy? On the other hand, her budget these days didn't allow for the frivolous use of money. If she spent her money on a luxury, she should be sure the luxury was perfect and not just another momentary whim she'd later regret.

          Her restored vision revealed the still smiling face of the shopkeeper, looking directly into her eyes.

          What would she say? How about…"It's so nicely done," she said, motioning to the bag.

           "They've just been flying out the door. You might want to grab that one, it won't be around long." The shopkeeper picked up the bag and brought it closer to her customer.

          "See the eyes? They're real crystal."

          "I see." They certainly did look like real crystals. Looking at it in the hand of the shopkeeper, it felt far away. It no longer felt like a discovery. A discovery? That's dumb, someone made it and someone else arranged it on a shelf. But still, it felt like hers for a moment; it seemed to fit. Now it seemed that taking it into her own hands could only be accomplished by asking the shopkeeper to hand it over, to inspect it on her own. She sighed inwardly. Really. It isn't worth it now. She felt a wave of irritation and shyness come over her, while at the same time her mind began the desperate search for a response. It was as if her mind was a room filled with doors, only a select few hiding a witty and thoughtful response; the others hiding a lame response that was sure to fall flat as soon as it left her mouth.

          "They certainly do look like real crystals." Oh dear, her response had given nothing for the shopkeeper to work with and the inevitable question was sure to surface. The one that would make her inwardly cringe.

          "Can I help you with anything today? Are you looking for something in particular?"

          As expected, she inwardly cringed. She knew she could fall back on the old standard "just looking, thanks," but knew that her brain was chomping at the bit and was about to blurt out something. Before her brain could think much more, she gave the shopkeeper a quiet no thank you and a quick smile. She turned and headed toward the door. As she walked she attempted to look nonchalant, like she was going to continue looking. She knew she was done and wanted to be outside. She could feel the shopkeeper's eyes on her back. They gave her the willies.

Saturday, February 18, 2012

Vincent Price, Art Expert

I came across the Facebook page for the website VincentPriceExhibit.com and it reminded me of two videos I'd found on online archives. I was only able to find one (embedded below), although now, like having a song stuck in your head, I have Vincent Price in my thoughts...

Vincent Price is one of my very favorite actors.

Gene Tierney and Vincent Price in Dragonwyck
Vincent Price and Gene Tierney in "Dragonwyck" (1946)

I admire him for his acting skills as well as his varied interests and his enthusiasm for acting despite being typecast in horror roles in the later half of his career.

Roger Corman and Vincent Price
Price with Roger Corman on the set of "House of Usher" (1960)

His career began far from the b-films for which he's best known. He started in the theater, notably acting with Orson Welles' Mercury Theater in two productions and got his big break in film acting in Otto Preminger's Laura (1944).

Gene Tierney and Vincent Price in Laura
Tierney and Price together for the first time in "Laura" (1944)

Reading the biography Vincent Price Unmasked: A Biography by James Robert Parrish and Steven Whitney (Drake Publishers Inc, New York, 1974) I learned of Price's passion for food and cooking (writing three cookbooks), for his dog Joe, as demonstrated in his book The Book of Joe: About a Dog and His Man (Doubleday & Co., Inc., 1962), and for art (writing four books on the subject).

Mary and Vincent Price Cookbook

He didn't just love art, but was interested in bringing art awareness to the general public. In addition to starting an art gallery, Little Gallery, open from 1943 to 1945, he lectured on art. In 1962 he created an art program for Sears, Roebuck and Co. Below is a 17 min video intended to educate Sears employees.


The Vincent Price Collection of Fine Art: An Informational Program Production (1960), film hosted at Internet Archive

I hesitate from reading Hollywood biographies as I rarely find them inspiring and are usually so sad and tragic. Vincent Price on the other hand seemed to be such a great sport, jumping into any project with zest and consequently lived an varied and fascinating life.

Kermit the Frog and Vincent Price
Image borrowed from Henson.com